Last summer, Gerri Jones called to tell me that Cornell Professor at Large John Cleese would be coming to Ithaca in September for a week. She told me that she had scheduled me for a public talk with Cleese on September 11^th at Bailey Hall that would become the last chapter of the book we were working on together.

Since joining this amazing Press in 2015, moments like this seemed to occur with some regularity. I attended a poetry workshop at Olin Library café with a former leader of the SDS at Cornell, a Nobel Laureate and an A.R. Ammons biographer. Today, I am surrounded by correspondence rejecting Vladimir Nabokov’s novel in verse and a ledger that holds the 1939 pencil-written royalty entries for the publication of The Nature of the Chemical Bond. I am also keenly aware at times of Cornell founder Henry Sage and his wife Susan who initially occupied the mansion where I work. Gerri Jones fit right in as part of an emerging entourage.

A small family of deer mingled outside my window looking in my direction as if waiting for an answer. Surely someone else would want the opportunity to have this conversation. Gerri confirmed that she had cleared it with the Provost’s office, and that the Provost would be introducing us both. I still didn’t believe it was going to happen.

More than one year after that call and the event that formed the final chapter of Professor at Large: The Cornell Years, Gerri Jones passed away on August 10^th, 2018. She was 68. She died from an infection in the hospital while being treated for leukemia.

This mystical and extraordinary woman who first alighted upon the second-floor landing of the Sage House during a folk concert never got to see her book get published. It was Gerri who brought one of the world’s most impressive and hilarious minds to Cornell over a span of seventeen years.

“Start thinking about a plan for the conversation,” she instructed me.

 

As it always was with Gerri, I knew what she meant. Avoid the cliched version of the Professor. Don’t spend a lot of time on Python—which I already knew anyway. If my words didn’t energize Gerri—she became bored and disinterested. She’d make a face. You had to elevate your game to be on the field with her. Those words reverberated in the weeks after the call. I dove into the Cleese canon of books, movies, and television shows. His mind came first. I read the manuscript of lectures and talks over and over.

While studying the Minister of Silly Walks, I recalled Gerri’s return to Sage House after the folk concert wearing knee-length boots and John Lennon shades. She carried a white shopping bag of Cleese talks and lectures on CDs. She told us about the never before published lecture entitled “The Sermon at Sage Chapel” that included a passage about “The Psychopaths for Christ.”

I received word of her passing and attended her funeral. She was supposed to be in remission now.

Through her friends, I came to discover that this whole episode was another glorious chapter in the amazing life of Gerri Jones. She could tilt the universe in any direction. She brought the Dalai Lama to Ithaca twice as the house mother to the Tibetan monks. She carried Kurt Cobain’s ashes back to Courtney Love after the monks had prepared them. She had even used one set as a door stop. She broke Reagan’s blockade of Nicaragua. She was the pride of Central Islip High on Long Island. To everyone there, she was simply “Ger.”

She loved Mardi Gras, dogs and Professor Cleese fiercely. They trusted each other and their chemistry was telepathic. She engineered a schedule that both challenged and protected him and left him with enough space to be creative. “I can’t read him,” he told Gerri during our second meeting after trying to discern the meaning of my facial expression. I can tell you that in that moment I felt absolute joy. My preparation for the talk had been rigorous and thorough. Professor Cleese had been talking about the brain and I leaned back in my chair and smiled. Yes, I had a little secret. I had known exactly what he was going to say before the words came out but I didn’t want to tell him that in the aftermath. Getting to know John Cleese is like learning how to play guitar. The chord structures are accessible, but they merely serve as a launch pad into an endless galaxy of improvisation.

I was ready for the public conversation and had enough confidence in his presence to suggest how the show was going to begin. After nearly falling off the chair with laughter, he agreed. Until now, Gerri was the only one I told this to in the hallway after we left Cleese that day. She and I have other secrets related to the book. Those we will keep. She swore me to it.

“We make a good team, don’t we?” She pinched my arm.

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About the author of this blog post: Dean Smith is the Director of Cornell University Press.