WHAT GALILEO SAW (Twelve New Moons Found Orbiting Jupiter)

Today, I woke up to the news that twelve new moons had been found orbiting Jupiter. According to an article in the National Geographic, it seems that a group of astronomers were looking for a hypothetical planet on the far fringes of our solar system, when they came across these twelve new moons dancing around Jupiter instead.

The discovery left me feeling somehow uneasy, wondering what we are looking for when we look out there, how we are prepared for the unexpected, and what really happens by accident, as opposed to by some mysterious cosmic plan of the universe. Science and religion, or rather being caught in the limbo in between. And so I turned to our books.

In What Galileo Saw, author Lawrence Lipking illustrates the blurry line between artistic imagination and rational thought, capturing how they both interplayed in the Scientific Revolution of the seventeenth century. It is a new perspective into the creative minds of those who shaped new visions of science during a turning point in human history, with eye-opening discoveries in cosmology, natural history, engineering, and more.

GALILEOGranted, we are far from that seventeenth-century society that believed in witchcraft and the presence of the devil, but like Galileo, Kepler, Descartes or Hook, astronomical discoveries in the twenty-first century come at the expense of overcoming other obstacles. After all, as the National Geographic article explains, tracking dim dots in the sky requires powerful telescopes, and Jupiter presents its own demons, with intense brightness and glare that can easily obscure such tiny, faint moons.

When Galileo saw the face of the Moon and the moons of Jupiter, Lipking writes, he had to picture a cosmos that could account for them. Kepler thought his geometry could open a window into the mind of God. Francis Bacon’s natural history envisioned an order of things that would replace the illusions of language with solid evidence and transform notions of life and death. Descartes designed a hypothetical “Book of Nature” to explain how everything in the universe was constructed. Thomas Browne reconceived the boundaries of truth and error. Robert Hooke, like Leonardo, was both researcher and artist; his schemes illuminate the microscopic and the macrocosmic. And when Isaac Newton imagined nature as a coherent and comprehensive mathematical system he redefined the goals of science and the meaning of genius.

What Galileo Saw bridges the divide between science and art; it brings together Galileo and Milton, Bacon and Shakespeare. Check out this Cornell Press title and enter the workshops where the Scientific Revolution was fashioned, drawing on art, literature, and the history of science to reimagine how perceptions about the world and human life could change so drastically, and change forever.

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About the author of this blog post: Adriana Ferreira is the Social Media Coordinator at Cornell University Press. She often looks at the sky in search for answers to existential questions and also, to be reminded of how little we humans are.

WHAT GALILEO SAW (Twelve New Moons Found Orbiting Jupiter)

Cornell Press BOOK #WorldCUP has kicked off!

The World Cup has kicked off in Russia today and at Cornell University Press we are playing along! To make the best sporting event even better, we’ve created our own Book #WorldCUP bracket, each country who made it to Russia represented by a book of our choice.

As the countries progress through (or are eliminated from) the World Cup, their paired books will, too, until we have a winner.

Each of our selected thirty-two books are discounted 10 percent on our website starting June 20. As each team advances on to the next stage, its corresponding book will earn a better discount. Books making it to the round of sixteen will be 20 percent off. Reach the quarter finals and save 30 percent. Forty percent off the semi-finalists, and fifty percent off the two books that make it to the final on July 15th. And because we love the World Cup so much (well Martyn and I do), we’ll give you 75 percent off the winning book to celebrate!

So, follow along with our Book World Cup bracket, and see which books win you a better discount:

GROUP A: Russia, Saudi Arabia, Egypt, Uruguay

GROUP B: Portugal, Spain, Morocco, Iran

GROUP C: France, Australia, Peru, Denmark

GROUP D: Argentina, Iceland, Croatia, Nigeria

GROUP E: Brazil, Switzerland, Costa Rica, Serbia

GROUP F: Germany, Mexico, Sweden, S. Korea

GROUP G: Belgium, Panama, Tunisia, England

GROUP H: Poland, Senegal, Colombia, Japan

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About the author of this blog post: Adriana Ferreira is the Social Media Coordinator at Cornell University Press. She is obsessed with the World Cup and is convinced that Uruguay, her country of origin, will win the tournament. She is looking forward to getting her copy of Informal Workers and Collective Action with a 75 percent discount.

 

Cornell Press BOOK #WorldCUP has kicked off!

Is tourism a devil’s bargain? Histories and Cultures of Tourism

Tourist season is underway in the northern hemisphere. Scenic towns are filling with visitors, business owners are crossing fingers in hope of massive earnings, and anxious travelers are Googling what to see, where to stay, and what to eat. According to the UN World Tourism Organization, in 2016 there were 1.2 billion international tourist arrivals. Industry watchers are used to seeing growth; they’ve seen little else since the end of World War II. Projections call for much more.

But there is a cost. The sizzling hot summer of 2017 was notable for many things, one of the more striking being the number of news stories recounting communities pushing back against the very tourists who fuel their economies. The BBC reported Spanish leftists sprawled “tourists go home” on buildings and that locals in Lavertezzo, Switzerland, lamented tourists “turning their idyllic valley into “an open air toilet.” The Scotsman suggested that Edinburgh was “losing its soul” to tourism and The Sun cried “boozy Brits are turning Croatian resorts into holiday hellholes.”

There are many different historical questions packed into these two sides of the same coin.  Why are so many people traveling? What attracts them to some sites/sights and not others? How has tourism shaped the environment? Is tourism truly a devil’s bargain? Can leisure travel really shape identities? And of course, there’s a host of queries about politics and policies too.

Tourism history is a comparatively new field of study, but it has gone from strength-to-strength in the past two decades. Historians have reflected on many of the questions above and they’ve uncovered a host of fascinating and often unexpected answers. For example, during the Interwar governments representing nearly every political ideology utilized tourism to various ends. It made better Nazis, promised healthier Soviet workers, and showcased the value of capitalism even in the face of economic turmoil. After the American Civil War, promotion of leisure travel represented a way of forging something approaching a unified national identity. Citizens were told to “see Europe if you must, but see America first.” The national parks, important signifiers of American identity, were a consequence. Much earlier, in the eighteenth century­—when many historians believe tourism was born—, the agonizing conflict over whether tourists represent a good thing or a bad has its roots. Wealthy young men, later to be known as teenagers, were meant to travel around Europe learning languages and good taste. They were supposed to gain cultural capital and a sense of themselves as members of the elite. Sometimes, as with historian Edward Gibbon, the results were positive. More often, the nascent tourists drank to excess, spent trunks of money, engaged the services of prostitutes, and generally behaved badly. Instead of much improved young adults, parents got back wildly gesticulating youngsters prone to speaking with their hands and using exaggerated foreign accents. It was embarrassing. A hearty ongoing debate about the merits of tourism resulted.

To explore the history of tourism is to study a topic that is itself fascinating but also to find a fruitful way of examining just about any subject from a new angle, while at the same time uncovering unexpected connections and relationships. You would not necessarily think of tourism as an important foundation of postwar youth culture, but that is exactly what a recent book suggests. That many of us enjoy visiting mountains and beaches seems almost human nature, but it is more accurately seen in connection with early tourism. You need to learn to interpret a landscape and the language is historically contingent.

As it stands, we know quite a bit, but there is far more to learn. For this reason, Cornell University Press is launching a new book series—Histories and Cultures of Tourism—and I am thrilled to be its editor. We’re anxious to publish the very best tourism history scholarship, keen to showcase intelligent storytelling. It will be a very exciting trip.

 

tourism polygon logo

 

About the author of this blog post: Eric G. E. Zuelow is chair of the Department of History and Philosophy at the University of New England. He is author of A History of Modern Tourism (Palgrave, 2015) and Making Ireland Irish: Tourism and National Identity since the Irish Civil War (Syracuse University Press, 2009). Zuelow is general editor of the Journal of Tourism History and will be editor of the new Cornell University Press book series Histories and Cultures of Tourism.

Is tourism a devil’s bargain? Histories and Cultures of Tourism

And what is the use of a book . . . without pictures or conversations? (My first time @BookExpo)

I attended  BookExpo in NYC, last Thursday, for the first time.  I had no idea of what to expect, so I’m sharing here a recap of everything I took (and didn’t take) from BookExpo 2018:

The variety. People and books everywhere, I felt like Alice in Book Wonderland. Sometimes shrinking within the crowd, sometimes enlarging by book displays, only to find myself chasing The White Rabbit, always late for the next talk that I wanted to attend. What a fascinating conglomeration of publishers, titles, events, and everything that is new in the publishing world!

The networking. Whether in booths or in the long lines for book signings, the atmosphere was electric. I was delighted to talk to other colleagues with different interests and from the most varied backgrounds. The result: I walked out of BookExpo with fresh insights, new marketing tools provided by the speakers from Ingram, and more importantly, a handful of business cards with the contact information of people with whom I will collaborate in the future.

The University Press world. I spent my afternoon visiting the other university presses exhibiting at BookExpo. I met with fellow marketers and exhibitors, and we chatted about catalogue design, the most cost-effective merchandising for publishers, new releases, and last but not least, how to better promote our books on our social media platforms.

The food. More excited than the Hatter at the Mad Tea Party—and forgetting about that article with tips for first time attendees—I ate at the Javits Center’s food court. It had a surprisingly wide array of options, and even a vegetarian selection. Plus, I met a wonderful lady in line and we shared our lunch, talking about the importance of encouraging children to read from a very early age. Priceless.

The giveaways & galleys. My Queen of Hearts, both antagonist and favorite character. Even though I gathered some books and souvenirs, I felt a bit underwhelmed by the few giveaways available at the event. On the bright side, I found everyone at their booths to be very animated, always handing out a catalogue or business card when they didn’t have a galley to offer.

The maze. The King of Hearts. Even though by walking in circles I found exhibits that were not in my loop, I found the layout of the event to be a bit confusing. I spent a fair amount of time looking for the Midtown stage, with no BookExpo volunteers in sight to ask for directions, and a small map not suitable for a short-sighted person like me.

The wandering about. Finally, I just took the time to wander about. During this time, I wrote on the “What is the book that changed your life?” wall, entered a contest to win a book basket, wheeled my little bag around until I got a few children’s titles for my son, and even met a translator that recommended some books in Spanish that I will read in the near future.

All in all, I found BookExpo to be a success. I appreciate the contagious energy, the excitement, and the friendliness that transpired in that place. It reminded me of the magic worlds that open up with every page we read, and the fact that behind every book that is published, there is a story, an author, and a team of dedicated people who are working hard to bring it to life.

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About the author of this blog post: Adriana Ferreira is the Social Media Coordinator at Cornell University Press. She is grateful to have attended BookExpo 2018 and more than anything, to the people at Sleeping Bear Press who gave her free cake for dessert!

 

And what is the use of a book . . . without pictures or conversations? (My first time @BookExpo)

This May 15th . . . Pay What You Want for Our Books!

On Tuesday May 15th, we’re going all out. And for one day only, you can put a price on our books.

Why are we doing this?!

One, we love books as much as you do. Two, we want to help spread knowledge. Three, we trust you!

How does it work?

  1. Visit our website
  2. Choose your book(s)
  3. Decide how much you can pay
  4. Email us with your offer at cupress-sales@cornell.edu
  5. Enjoy your new book(s)!

Simple.

Is my offer good enough?

Next, we’ll take a look at your offer. If we can do it, we’ll send you a special discount code to use online or by phone.

If we can’t make it work, we’ll offer you free digital access to the book, or the chance to make a new offer. 

So, save the date:

May 15th, 9am-6pm EST, Pay What You Want, and enjoy your reading!

*U.S.A. only

paywhatyouwant-1

 

This May 15th . . . Pay What You Want for Our Books!

From West Oakland to Wakanda—the African American history that inspired Marvel’s “Black Panther”

Marvel’s critically-acclaimed new film Black Panther broke multiple box office records this past weekend by delivering the fifth-largest opening of all time. While the film is clearly a superhero movie, it does draw deep inspiration from actual political events of the past century. Director Ryan Coogler, born in Oakland, California, set several key scenes in the city to honor his hometown as well as to bring awareness to Oakland’s pivotal role in setting the stage in 1966 for the founding of the Black Panther Party movement. Continue reading “From West Oakland to Wakanda—the African American history that inspired Marvel’s “Black Panther””

From West Oakland to Wakanda—the African American history that inspired Marvel’s “Black Panther”