41

On this national day of mourning and in memory of the 41st President of the United States of America, here is the Philip Zelikow’s Foreword from 41: Inside the Presidency of George H. W. Bush, edited by Michael Nelson and Barbara A. Perry.

The popular image of George H. W. Bush, which has recently been reinforced by an HBO documentary produced by Jerry Weintraub and other Bush friends, is the portrait of an accomplished, good-natured, self-deprecating gentleman and sportsman. All this is true enough. Indeed, Bush seems highly qualified to be the president of any community’s Rotary Club.

This does leave us, however, with a few puzzles.

First, why was this amiable fellow both so successful and so unsuccessful as a politician? It is interesting that Bush’s abilities in winning people over at the personal level, which was abundantly in evidence in foreign capitals and on Capitol Hill, translated so poorly into abilities at the level of mass retail politics.

Perhaps he was not really all that outstandingly successful, except in the qualities that recommended him to Ronald Reagan in 1980 as an appropriate vice president. And then that pairing led to other things. The oral histories compiled by the University of Virginia’s Miller Center and the perceptive essays in this volume that use them provide insightful conjectures. They portray Bush as a politician who was really, in some sense, outside of his time, an anachronism within his party and perhaps even in the world of American politics.

Second, although Bush practically had the word “prudent” tattooed to his forehead—in purple letters, not scarlet—there is little evidence that he was an especially analytical person in any formal sense of the term. He did read and listen. But his temperament was restless, constantly looking for something to do. He was a deeply emotional person—instinctive, intuitive in his reactions to people and situations. I believe one source of his characteristic inability to express himself very well in public settings is that a long-ingrained filter was in place habitually blocking the facile expression of these impulses. My hypothesis is of a person who forced himself, had seemingly always had to force himself, to pause and reflect. He would then make some big calls, yet do so in a way that seemed so diffident and unhistrionic that their importance might pass without notice.

So, third, we have the public image of Bush the cautious, Bush the prudent, Bush the risk averse. Against that we have the reality of some of the most radical moves any president has overseen in modern times. Part of this is just the empowerment of skillful subordinates in a true administration team—Scowcroft, Baker, Zoellick, the Nick Brady of the important “Brady plan,” Cheney, Sununu, Darman, and others. But some of the biggest calls were very much Bush’s own.

Contrary to much of the historiography, the end of the Cold War featured some breathtaking gambles. Bush and most (not all) of his advisors threw aside initial hesitations about how to make sense of the changes about two months into the new administration, toward the end of March 1989. I was a direct witness to this. Bush and his team (notably Baker and Scowcroft) called for a rollback of Soviet power—eventually to extend to a rollback to borders the Russian empire had not known since the eighteenth century. Throughout human history changes on this scale have happened only as the corollary of bloodily catastrophic war.

Bush unequivocally gambled on an all-out push for German unification and did so publicly—much noticed among world leaders—weeks before the Berlin Wall came down. He presided over the largest change in the U.S. force posture in Europe since the 1950s and the most ambitious nuclear and conventional arms control agreements ever signed before or since. If his agenda is compared to what foreign leaders privately wanted or expected or what public pundits such as Henry Kissinger and George Kennan were advocating in leading newspapers at the time, Bush’s agenda was indeed extreme.

In the immediate aftermath of Iraq’s August 1990 invasion of Kuwait, who in America envisioned or called for the dispatch of 500,000 American soldiers to the sands of Saudi Arabia who were prepared to reverse it? And then seek to do so with full UN support, seizing on the end of the Cold War as its embers were still glowing to revive for the first time since 1945 the long-latent dream of Franklin Roosevelt to make the UN Security Council a body of high-minded “policemen”(FDR’s term)?

All this was afire with political controversy (the resolution authorizing the use of force passed the Senate by only five votes; his son’s 2002 Iraq vote would pass by fifty). That was the context in which, barely a week before the 1990 midterm elections, Bush decided to double the U.S. troop commitment, including reserve call-ups that could touch every American community. The war plan of the theater commander was junked, and Joint Staff stepped in to help craft a far bolder plan, backed by a blank check of presidential commitment. Bob Gates’s recollection of the October 30, 1990, meeting, preserved in his oral history interview, still echoes astonishment even twenty years later. Bush knew what he was doing. A week earlier, Baker and Colin Powell had privately conferred about where all this was going. Both men were uneasy, with Powell clearly wondering whether Bush was really “all in” and then being assured that he was. I believe from that day—October 30—forward, Colin Powell was George H. W. Bush’s man, proud to count himself among a band of brothers.

However one characterizes all this, “prudent” does not do the job. The pictures of the frenetic golfer or fisherman, the self-deprecating, genial but rather hapless toastmaster, do not do the job. And future scholars will want to keep in mind that almost all of the American academic commentators who wrote about George H. W. Bush in the twentieth century can be presumed to have voted against him, based on what they thought they knew at the time.

Nor do such depictions do the job for the 1990 budget agreement, which turned out to be the first and most important of three budget deals struck between 1990 and 1996 that produced a balanced budget by the end of the decade for the first time since the Nixon administration. This book amply describes what this cost Bush. That this came as the country was quietly staggering from an enormous, dimly understood American financial crisis (the so-called savings and loan crisis that began toward the end of the Reagan administration) makes the issue more interesting still. That the budget deficit became the signature issue for the strange and ultimately quite significant third-party candidacy of that eccentric, vengeful snake-oil salesman Ross Perot, only redoubles the historical irony.

If puzzles like these pique your curiosity, make you want to take another look at this rather peculiar one-term president, read on. And then read the oral histories, which are available at The Miller Center. In weighing the value of these oral histories, consider that there are only two kinds of primary sources about the past. There are the material remnants of what happened—documents, coins, statues. Then there are the preserved recollections of the human observers. Some of these recollections take the form of formal memoirs.

From the time it was founded in the mid-1970s, the University of Virginia’s Miller Center placed the study of the American presidency close to the center of its work. From the point of view of basic research into primary evidence, the most obvious way to supplement the work of the National Archives and Records Administration was to organize good oral history projects to set down the recollections of participants before they passed on. A modest effort of this kind was undertaken for the Ford presidency; a better one (helped by James Sterling Young’s involvement) was conducted for the Carter administration. Then Young went on to other work at Virginia and, though director Kenneth Thompson did his best, these efforts went back to a relatively modest scale. This was a pity, because the quality of oral history work being conducted by the presidential libraries had always been up and down, mostly down, and candor was constrained by the fact that the libraries, with their institutional bias toward the presidents whose legacies they embodied, directly ran the projects.

One of my first tasks when taking over the directorship of the Miller Center in 1998 was to revive the oral history work and raise its standards. The goal was to provide as strong a complement to the documentary and memoir record as funds would allow, institutionalizing these practices for every presidency possible. Jim Young came back on board to help; he and I later recruited the current director, Russell Riley, whom we both knew to have been one of Dick Neustadt’s finest students. The oral history work was complemented by another primary research effort, the careful annotated transcription of the presidential meeting and telephone recordings secretly compiled in several presidencies, above all between 1962 and 1973. These two research projects seemed to be the most important primary research projects possible, beyond the compilation of papers and other artifacts long being carried out by the National Archives.

The launching pad for the renewed oral history effort was the presidency of George H. W. Bush. His immediate successor, Clinton, was then still in office. I had served in Bush’s administration in a rather junior position, as a career diplomat detailed to his National Security Council staff, and knew some of the principal figures. The Bush oral history project became a template for those to follow. The Miller Center has now forged partnerships to conduct such projects for the administrations of Reagan, Clinton, and George W. Bush as well. One of our alumni, Tim Naftali, was also able to use some of this experience to conduct a too-long-delayed and quite good oral history project for the Nixon administration when Naftali became the National Archives’ director of the Nixon Library.

The Bush precedent involved financial support from Bush’s presidential library foundation. They agreed to be fenced off from the research process itself. The Miller Center chose the interviewers, shaped the agenda, conducted the interviews, and then kept the results as private (including from the Bush library foundation) as the respondents wished. That kind of partnership would not have been easy for every presidential library foundation to swallow. And this one had some second thoughts about it, even third thoughts.

From a research point of view, the partnership with the Bush library foundation was fortunate. It set the right kind of precedent for scholarly integrity. That is a credit to Bush himself and the tone he set for some of his former aides who shared these instincts.

It was not as hard for them to set such a standard as it might have been for some other presidents and their aides. They had been involved in a presidency that, though it failed of reelection, had been practically unblemished by scandal and had produced notable policy successes—some of which were known and some of which (they thought) were not adequately known. So these men and women were not as insecure about what scholars would find as some other sets of “formers” might have been. Hence the good precedent.

This volume reflects an initial reappraisal by a superb group of scholars armed with this material along with additional material generated at a fall 2011 symposium that brought them together with Bush administration alumni at the Miller Center. I believe other scholars who take their time with this volume and the underlying material will find both to be quite important in revising our understanding of this very important, misunderstood, and, as discussed above, somewhat peculiar president.

 

41

Shaping a City, Ithaca, New York: A Developer’s Perspective

At 320 Pages with 115 photographs, published by Cornell Publishing, an Imprint of Cornell University Press, you will find Shaping a City a fascinating behind the scenes look at why and how Ithaca, NY has grown from a mud flat at the head of Cayuga Lake to the successful miniature metropolis it is today. For Ithacan’s, it is our story, our history, starting in the early 1800’s, and focusing on the most recent 40 years of real estate development. For readers beyond Ithaca, it will become the roadmap for how to shape your own small town from a vacant, under-utilized cross-roads to a vibrant, dense, thriving and attractive small city, and possibly —like Ithaca as recognized in a score of national publications—, turn it into one of the “Best Small Cities in the country.”

This book is my story of financial survival as I began renovating old houses and went on to be selected by the City and Cornell University as the Preferred Developer for Collegetown. It is the story of City politicians building the Commons pedestrian mall on our main street in downtown in 1974, and then rebuilding it again from 2013 to 2015.

It is the stories of over a dozen major developers and their projects, which have contributed to the revitalization of Ithaca—John Novar, Jason Fane, Gus and Nick Lambrou, Andy Sciarabba, Bill Downing, Travis Hyde Properties, Schon  Bloomfield, David Lubin, Joe Daley, Marc Newman and Bryan Warren, John Guttridge, David Kuckuk, Neil Patel, and others.

It is the story of how a group of us salvaged Center Ithaca, the largest building in downtown out of bankruptcy, and how philanthropist Jeb Brooks; music producer Dan Smalls; and our company, Travis Hyde, with assistance from the Tompkins Trust Company and the Ithaca Urban Renewal Agency, saved the 1600 seat historic State Theatre, and the 200 year old historic Clinton House from foreclosure and certain demolition.

It is the story of Ithaca Neighborhood Housing and its significant role in creating affordable housing in our community. It is the story of Carl Haynes and the Tompkins Cortland Community College purchase of the M&T Bank Building for its Ithaca Campus and as a source of income for the College. It is the story of the creation of Coltivare, an upscale farm-to-bistro restaurant that serves as a training laboratory for the Tompkins Cortland Community College students. It is the story of why and how our oldest bank, Tompkins Trust Company, chose to consolidate its operations and construct a new 7-story office building downtown.

And primarily, it is the story of the BID, our local business improvement district, the Downtown Ithaca Alliance, for which I served as founding member and president. Our Executive Director, Gary Ferguson has guided us through the formation of two, ten year Strategic Plans that have been created by the stakeholders of downtown, based on professional feasibility studies, the findings of  retail and marketing consultants, and approved by the City Council.

We have recognized that it is arts, dining, and entertainment that drive downtown revitalization, and we have formed a Tax Abatement Program that stimulates downtown development. There is much to appreciate, and much to learn, as developers, city and county staff and representatives, local banks, and often local philanthropists, work together in a spirit of cooperation and collaboration to create what has been recognized as one of the Best Small Cities in America

City centers are an under-utilized resource in our country and I invite you to read my book, and learn how the principles and values developed in Ithaca and set forth in Shaping a City, can perhaps be replicated in your community.

 Featured event:

Join #CornellPress author Mack Travis for Gallery Night: Book Release for Mack Travis’ Shaping a City this upcoming December 7th, 2019; an event hosted by Downtown Ithaca & The History Center in Tompkins County.

SHAPING


 

About the author of this blog post: As one of Ithaca’s major developers, as one of the founders, and former president of Ithaca’s Business Improvement District, and as a frequent lecturer at Cornell’s Graduate Program in Real Estate, Mack Travis is uniquely qualified to write this 40-year look back at the people and projects that have shaped Ithaca.

Shaping a City, Ithaca, New York: A Developer’s Perspective

The Economic Interpretation of History as a Way of Understanding American Politics

With the publication in 1913 of An Economic Interpretation of the Constitution of the United States, Charles Austin Beard (1874-1948) became one of the most famous, influential, and controversial historians in America.  His book initiated a trend that for two generations became dominant in the way American history was written and taught. The thirty-seven books that he wrote during his legendary career—some of them with his historian wife, Mary Ritter Beard—sold millions of copies. He was esteemed and reviled for arguing that from the country’s beginnings and at every turning point in its history, American politics had to be understood mainly through the motives and world view of economic elites.

The kinetic energy of the historical process in America did not suddenly stop with the Second World War, Beard contended. In the years immediately preceding that conflict, he took a leading role in what became known as the isolationist movement. Beard objected to this label, seeing nothing isolationist about following the advice given by George Washington in his Farewell Address, for the American people to mind their own business. Creating a society of republican virtue at home would be challenge enough for them, without assuming the burden of international responsibilities. Beard judged the Farewell Address to be the most profound statement ever issued about American foreign policy. The mislabeled isolationist movement sought to do no more than to honor the first president’s teaching about how the United States should relate to the rest of the world in a spirit of amity and comity, playing no favorites and resolutely thwarting all attempts to coopt American power and influence for partisan foreign ends.

When the fighting began in 1939, Beard opposed American intervention, claiming that at bottom the conflict had to do on both sides with the acquisition or retention of markets, territories, and resources, just as the First World War had done. The two wars were one war, in his view, with a twenty-year armistice in between. Both wars had imperialist motives. Even after Pearl Harbor, he continued to claim that the war fundamentally concerned not the evil of Hitler—as of December 1941 Stalin, our ally, was the greater criminal by far—but the greed of competing empires. In two classic works written after the war, he denounced the foreign policy of FDR as a masterpiece of deception about a fictitious war for the Four Freedoms, which served as a distraction from the real war for economic empire.

Beard never could accept the vulgate interpretation of the Second World War. In the triumphalist postwar years, he came under mounting attack as an unreliable historian and a man lacking in patriotism. His economic interpretation of history became increasingly marginalized, as consensus historians plighted to the cause of American exceptionalism dominated the field. Beard’s stock as a thinker continued its downward spiral during the Cold War, which he described at its outset as a straightforward imperialist contest between the United States and the Soviet Union. Whichever side won, the world would be subjected to an imperialist order. In no way a Marxist, he conceded that the imperialism practiced by corporate capitalism stood on a higher plane of morality than did the Stalinist variety. Nonetheless, Americans deceived themselves when they imagined the cardinal policies in peace and in war of their leaders to be about anything but imperial control.

Charles Austin Beard: The Return of the Master Historian of American Imperialism offers a fresh interpretation of the origins and development of “Beardianism,” as a way of understanding the connection between economics and politics in American history. The book is especially timely today because of the manifest way in which America’s policies for the maintenance and augmentation of its empire have confirmed his predictions of what the country’s fate would be in the aftermath of the “good war.”

austin beard


About the author of this blog post: Richard Drake holds the Lucile Speer Research Chair in Politics and History at the University of Montana where he teaches European and American history.

The Economic Interpretation of History as a Way of Understanding American Politics

Sharing the News about New York History

Signed contracts, a press release, a day and time for an announcement all of the pieces were in place to go public with the news. Cornell University Press was about to tell the world that we would work with the New York State Museum to publish the journal New York History. It was big news. It was exciting. I also had no idea how people would react.

New York History, the journal of record for the history of the Empire State, has been around for a century.

Begun as The Quarterly Journal of the New York State Historical Association in 1919, it has been the key publication for historical research about the state. New York History has been the venue where great essays from stellar scholars have appeared across the decades; careers have been launched and critical debates have been engaged in its pages. Accordingly, many people academic historians, public historians, and engaged lay people alike cherish the journal.

It is, in every sense of the term, an institution.

That attachment is a good thing. What would those same people say, however, when they heard of changes to their beloved journal? Would they want everything to stay the same or would they ask to turn back the editorial clock to 1985? I wondered about possible reactions all last Thursday, as I worked the 2018 installment of the Researching New York Conference on the uptown campus of the University of Albany, and anticipated the announcement I would make at the New York State Museum that evening.

Amidst my fretting, my colleagues in this endeavor, State Historian Devin Lander and Chief Curator of History Jennifer Lemak, supported me. It was all going to be well received they said. And I believed them, sort of. A couple of historian friends with whom I quietly shared the news in advance were similarly positive, and I started to think that modest enthusiasm, and not a welter of critical questions, would be the response to the news.

So when I was invited by Susan McCormick, Lecturer in History and Documentary Studies at the University at Albany, to say a few words to the crowd gathered in the Adirondack Hall, I was only a little nervous.

I told the group that the Fenimore Art Museum had passed on the stewardship of New York History to Cornell University Press, and that we would be working with Devin, Jennifer, and staff at the New York State Museum to produce the journal. Jennifer described how the journal would now actively solicit essays on a variety of topics, including public history and museum studies, and how the editorial program would aim to unify the diverse communities of historians, teachers, curators, and archivists engaged with the history of the state. Finally, Devin spoke about details of the editorial work, how the journal would soon appear semi-annually, and that New York History would return to print publication (in addition to its digital dissemination).

There was applause. There were congratulations. My trepidation was wholly unfounded.

The gathering of 50 or so people appreciated the news and were excited about what was to come; by all appearances, they were not just accepting changes in the journal but welcoming them. And that positive response spilled over to email and Twitter as the word got out to the wider historical community in New York State and beyond. I was elated and, yes, relieved.

New York History is in for some change and the community of interested scholars, educators, curators, archivists, and readers is ready for it. As the journal celebrates its centennial in 2019, there is no better time to make this change—appreciating the excellence of the first century and anticipating the next century of publication.

There will be revisions to the journal, and, as the publication develops, I encourage the community to remain interested, appreciative, and engaged.

Now the hard but satisfying work of stewardship and editing begins. I encourage the community interested in the history of New York State to keep cheering us on and, most importantly, working with us in the months and years to come.

NYSM logo_color

Useful information:

 


 

About the writer of this blog post: Michael J. McGandy is Senior Editor and Director of the Three Hills imprint at Cornell University Press.

 

Sharing the News about New York History

How does an ideology win the hearts of people?

“Prof, can you talk about fascism at a students’ gathering?”

I was surprised to receive such an invitation from a student last month, which I happily accepted. I am not an expert of theories of Fascism, but I have many things to say about various fascist movements in the 1930s and early ’40s, especially those in East Asia. The student body was diverse in their origins, with many exchange students. They were politically and demographically very similar, however: liberal, cosmopolitan, well-educated, and young. I soon discovered that this gathering was organized not because of their academic interests in political ideologies per se, but their everyday fear of the rise of “fascism,” so to speak. One by one, students asked for practical strategies to fight fascism in contemporary society. The room was filled with anxiety.

I felt sympathetic. But at the same time, discussing what might constitute “fascism” appeared misdirected for the purpose of addressing their concern. More urgent is to examine why pseudo-fascism—xenophobia, racism, or exclusive nationalism—resonates so widely today. How could such a violent thought (with detrimental historical baggage) capture people’s hearts? This is also a chance for liberals to step back and question what we take for granted. What specific experiences made liberal ideas convincing and sacred in our own lives?

These questions, or in short, how and why people internalize an ideology, motivate my research on the Japanese empire. It is well-known that wartime Japan had a totalitarian character in many ways, with the wide swaths of people worshipping the emperor and willing to sacrifice their lives. It might be less known that it conducted similarly fervent totalitarian rule over its colonies, Taiwan and Korea. Youth mobilization appeared particularly successful—During World War II, hundreds of thousands of colonial youth applied to Japanese army recruitment each year. Scholars typically depicted this colonial “volunteer fever” as a product of relentless government coercion, persuasion, and brainwashing without much giving thought to the causal mechanism.

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My book, Nation-Empire: Ideology and Rural Youth Mobilization in Japan and Its Colonies, takes a different angle. Instead of assuming the state directly influenced individuals’ behavior, it focuses on thick layers of local social relationships that determined the value of state directives from the viewpoints of people. It offers a fine-grained analysis of twists and turns of social dynamics in four villages across the empire since the late nineteenth century up to the immediate postwar period—how the popularity of urban modernity and the emphasis on agrarianism shaped the mental worlds of young villagers, how the “cult of youth” affected family politics, what the shifts in landlord-tenant relationships meant to young people, how youth programs unexpectedly changed youth’s future prospects, and how these youth survived the postwar chaos, for example. Local battles generated strong emotions, and whatever they were, these emotions were often expressed as a firm belief in the imperial cause. Seen in this way, Japan’s ideological mobilization both in the metropole and colonies was a much more complicated process than previously assumed, but also had a distinct pattern.

Again, it is not the definition of an ideology (Japanese nationalism) that explains the widespread acceptance most persuasively. It is the social complexities that made people emotionally attached to that ideology.

This means that it would take deep investigative work to make an analogy between politics of the 1930s and that of today, far more than merely reviewing what the fascist ideology was. But I hope this would provide a pointer to students who are earnestly trying to account for and confront the rise of pseudo-fascism—go find out social dynamics and emotions at the local level!

NATION EMPIRE COVER

 


 

About the author of this blog post: Sayaka Chatani is  Assistant Professor of History at National University of Singapore, and the author of Nation-Empire: Ideology and Rural Youth Mobilization in Japan and Its Colonies.

How does an ideology win the hearts of people?

On Veterans Day, remember that civilians serve too

On Veterans Day, the nation thanks those who have served honorably in the United States armed forces in both peacetime and wartime. It should also be a time to remember that not all of the veterans of America’s foreign wars wear uniforms.

Civilians serve too.

Modern warfare, especially the counterinsurgency and nation-building missions that the armed forces have been called upon to perform in recent years, requires a range of civilian expertise.  This can involve base management or intelligence analysis.  It has also meant going outside the wire to be part of Provincial Reconstruction Teams, which work to bolster the performance of local governments as part of ongoing nation-building missions. This work is vital to the military’s exit strategy, and hence getting the troops home.

As I show in my book To Build as well as Destroy: The American Experience of Nation-Building in South Vietnam, civilians have been deploying to war zones for a long time.  In fact, the practice reached its postwar height in the Vietnam War.  This is something it is easy to miss if we rely on the standard history books and movies to gain our understanding of the war.

As well as a brutal guerrilla war, Vietnam was also a war of nation-building. The issue over which the war was fought was the governance of South Vietnam. Would it be united with Communist North Vietnam, or would it develop an independent, non-Communist government?  The latter was the U.S. preference, and over the course of the war over ten thousand civilians deployed to Southeast Asia to try to shape the development of South Vietnam’s government to enable it to defend itself from the Communist challenge.

They came from a variety of backgrounds and agencies – the State Department, the CIA, the Agency for International Development, even the Peace Corps. In the early years, some hitchhiked from postings elsewhere in Asia to join the nation-building mission.  Many were inspired by the ideals of development with an almost missionary zeal – they wanted to save the people of South Vietnam from the corruption, mismanagement and brutality of their own government. They often served deep in the countryside, where no American had ever gone before.

As American involvement in the Vietnam War expanded in the late 1960s, this nation-building apparatus grew in size as well.  In 1967, the Johnson administration created the Office of Civil Operations and Revolutionary Development Support (CORDS) to expand the nation-building mission. CORDS was headed by a civilian, and throughout its ranks thousands of military and civilian personnel worked side by side on the same mission, being exposed to the same dangers and writing each other’s efficiency reports.  Its “sandwich” structure meant that civilians gave orders to military personnel and vice-versa.

It was an experiment without precedent in American history and has not been repeated on such a scale since.

Civilians who have served in war zones have faced some unique burdens, both during the Vietnam War and today. They are all volunteers who usually must be granted permission by their host agencies to go overseas. Often these agencies see such deployments as a distraction from the “real” jobs their employees are supposed to be doing at home, and so serving can be harmful to careers.  As a result, the military has often struggled to attract enough volunteers. As of July 2018, 70% of the necessary positions for civilians in Afghanistan were unfilled.

So, this Veterans Day, spare a thought for these “expeditionary civilians”. They often serve in the shadows, and some pay the ultimate price.  They deserve to be honored, too.

to build as well


 

About the author of this blog post: Dr. Andrew J. Gawthorpe is Lecturer in History and International Studies at Leiden University in The Netherlands.  He has written for publications including Stars and Stripes, Foreign Affairs, and more.

On Veterans Day, remember that civilians serve too

Cornell University Press to Publish New York History

The journal of record for the history of the Empire State will continue in collaboration with the New York State Museum

Ithaca, New York, November 15, 2018.  Cornell University Press announces that, beginning in 2019, the Press will publish the century-old journal, New York History. Working in association with an editorial team at the New York State Museum, Cornell University Press will expand the scope of the journal to include public history and museum studies. The first issue published under this new arrangement will appear, in both print and electronic formats, in July.

“This marks a new start for this venerable journal and the transition in proprietorship comes at a critical moment for the research, writing, curation, and teaching of the history of New York State,” commented Michael J. McGandy, Senior Editor at Cornell University Press.

“Scholarship is changing in methods and media, while public history is becoming more important. Beginning with volume 100, New York History will reflect these changes in the historical profession and better meet the needs of New York State citizens.”

New York History, founded in 1919 as The Quarterly Journal of the New York State Historical Association, is the foremost scholarly journal addressing the state’s past. The New York State Historical Association, now known as Fenimore Art Museum, created and supported the journal. Since 2012, an editorial group based at the State University of New York at Oneonta—currently composed of Thomas D. Beal, Susan Goodier, and Danny L. Noorlander—has overseen the daily operations of the journal and managed its transition to digital publication.

“Our long history with New York History, and in particular the distinguished editorship, from 1964 to 1999, of Wendell Tripp, compelled us to seek a proprietorship that would ensure that the journal  continues to thrive and satisfy the needs of the historical community,” said Dr. Paul S. D’Ambrosio, Fenimore Art Museum President and CEO.

“We believe that Cornell University Press and the New York State Museum will take New York History to new heights in the years to come and to show our confidence in them, we intend to provide financial support for the journal for the first three years of this transition.”

With the active collaboration of New York State Historian, Devin Lander, and Chief Curator of History at the New York State Museum, Jennifer Lemak, the mission of the journal will have a new focus and the editors aim to unify the diverse field of New York State history and meet the needs of a growing historical community.

“I think we have a great opportunity with the journal to bring the diverse New York State historical community together for the betterment of the field,” Lemak noted.” Devin and I are excited to be a part of the future of New York History.”

For Cornell University Press, the acquisition of New York History is part of a growing publishing program addressing the history, arts, culture, science, politics, and current events of New York State. “The aims of New York History fit well with Cornell’s land grant mission, which includes sharing knowledge so as to make a difference in New York State, the United States, and the world,” said Dean J. Smith, Director of Cornell University Press.

“From our books on citizen science in New York State to our regional trade imprint, Three Hills, Cornell University Press is a key contributor in a network of institutions generating historical, social and cultural, and scientific knowledge relevant to the state.”

New York History, now published twice a year, will present articles dealing with every aspect of New York State history, as well as reviews of books, exhibitions, and media projects with a New York focus. Lander and Lemak invite article submissions (NYHJ@nysed.gov) and Cornell University Press encourages current and past subscribers, both individuals and institutions, to inquire about subscriptions (nyhjournal@cornell.edu).


For more information, contact Cheryl Quimba, 607-882-2248 or cq43@cornell.edu

Cornell University Press to Publish New York History

#SWYW: You spoke, we listened!

More than five hundred authors, professors, and readers spoke their minds in our Say What You Want campaign. And we listened. So, what did we learn?

Well, first of all, that people are not averse to answering surveys, at least not if you can offer a good reward for it. Cleo O’Brien-Udry was the lucky winner of our $250 in #CornellPress books raffle, and was excited to share the news on her Twitter feed:

CLEO SWYW Tweet

Second, that authors will prioritize quality, overall prestige, and reputation in their specific fields as the most important attributes when choosing a publisher for their books. The relationship with their acquiring editor and the marketing efforts and resources available for promoting the book are also extremely valuable, and some authors even pointed out the preference for a specialized series that make sense for their book.

Third, we learned that almost 60 percent of readers and CUP customers find their next reads in blog posts, book reviews, or articles in digital newspapers or magazines, and that more than 58 percent of them do so through social media. This finding indicates that our digital efforts are not in vain and suggests that ads in printed media have little value in the discovery of books. Moreover, we found out that our customers are price sensitive, and when it comes to buying a book, considerations of subject matter and cost are at the top of their list. Last but not least, it turns out that 98 percent of the readers appreciate special discount and promotions, saying that campaigns like Pay What You Want and our End of the Year sale help them get their hands on their wish-list books!

Regarding professors, we found out that 90 percent of those who took the survey assign books for course adoption, and that only 12 percent of them would consider assigning an ebook to their class that costs more than $30. Students matter to them and they are aware of the fact that books they choose need to be both affordable and accessible to that public.

Authors, readers, and professors spoke. And we listened.

Based on these first takeaways, and because your Say What You Want responses mean a lot to us, we are happy to announce that we are slashing our ebook pricing by 50%!

FLYER FOR EBOOKupdated

All in all, #SWYW helped us discover trends that speak of the publishing industry and where academic publishing is going, and that there is much ground for improvement in what we do here at CUP too. Looking into the future, we are excited to continue to analyze these results and act on the insights that we gained from this campaign; always striving to become the best University Press that we can be.


About the author of this blog post: Adriana Ferreira is the Social Media Coordinator at Cornell University Press. Ebooks helped her hour-long train commutes when she was living in Madrid seem short, fun, and even eventful!

#SWYW: You spoke, we listened!

VETERANS’ DAY Book GIVEAWAY @CornellPress

One thing I appreciate about meeting with Cornell University Press’ Director Dean J. Smith, is that I always leave his office with some kind of insight or anecdote. He seems to be a natural story-teller, and last week he told me how he gave a free copy of Suzanne Gordon’s new book Wounds of War, to a veteran who walked into Sage House. The conversation moved Dean and he decided he wanted to do something special for veterans. His words resonated with me.

For those who are not familiar with her work, Suzanne is an award-winning healthcare journalist and author who spent more than thirty years researching health care delivery and nursing in the American private, profit-driven marketplace. And even though she is not a veteran herself, she is genuinely concerned by the move towards outsourcing veterans’ care. Last month, Suzanne wrote a blog post for our website about the dangers of privatizing the Veterans Health Administration (VHA), emphasizing the need to protect a system that manages the healthcare of a vulnerable population that is, “at high risk for mental health and substance abuse problems, suicide, chronic pain, homelessness, and legal issues, to name a few.” Her fight is one born out of personal motivation; as a civilian, she has nothing to gain from the political debate around the VA.

All this said, and in anticipation of #VeteransDay in the US this Sunday, we have decided to celebrate all veterans, their families, and caregivers, with a special book giveaway! And we are inviting them to share a flyer on Facebook or Twitter, for the chance to enter to win a FREE copy of Suzanne Gordon’s new release Wounds of War.

Additionally, we’ll send a free copy of Suzanne’s previous book, The Battle for Veterans’ Healthcare, to the first 500 people who email us at cupress-sales@cornell.edu on November 11th*. Please type “Veterans’ Day Promo” in the subject of your email.

At #CornellPress, we believe that it is our duty to spread knowledge and support the men and women who have served this country, showing them our appreciation with these two promotions. We hope that everybody participates and enjoys their new books!

VETERANS DAY GIVEAWAY upload

*By sending an email to get a free copy of The Battle for Veterans’ Healthcare, you agree to receive mail notifications with the latest updates from Cornell University Press. Promo valid in the US only.

For more information on Wounds of War, listen to the following interviews with Suzanne Gordon on Frontlines of Freedom and the Radioactive Broadcasting show:

http://frontlinesoffreedom.com/2018/10/13/show-564-1st-hour/

http://radioactivebroadcasting.com/directory/itemlist/category/310-urgent-care

About the author of this blog post: Adriana Ferreira is the Social Media Coordinator at Cornell University Press. She is excited to extend this offer to veterans and hope that they can celebrate their day in a special way!

VETERANS’ DAY Book GIVEAWAY @CornellPress

Fashion Cycles

The language of fashion has long been used to dismiss various forms of literary scholarship. Most recently, that charge has been made against types of “post-critique”—methods of reading that seek alternatives to interrogating and demystifying a text’s unstated ideological commitments or implications. Yet, for decades, conservative critics have used the language of fashion to dismiss literature and scholarship that focuses on race, gender, sexuality, and other categories of difference, or that engages “theory,” which usually means poststructuralist thought and its legacies. Ironically, however, some of the canonical works and movements that those literary traditionalists champion were also charged with being fashionable. Modernism, in particular, was parodied as modish before it was canonized, due in part to modernist writers’ preoccupation with style. In all of these cases, to be unfashionable or anti-fashion is to be aligned with more substantial and lasting social and political ideals and aims. But these claims disavow the critic’s own inevitable entwinements with fashion.

Many modernists themselves decried fashion as the epitome of superficial, commodified change.

But, as I argue in Modernism à la Mode: Fashion and the Ends of Literature, they also turned to fashion to consider what stylized objects might do in midst of war, imperialism, global capitalism, and on-going racial violence. In the work of Virginia Woolf, D.H. Lawrence, W.E.B. Du Bois, Nella Larsen, and F. Scott Fitzgerald, fashion is treated as a collective mood, a set of influential material objects, as well as a target of critique. Through these authors’ engagements with fashion, their writing becomes a means to understand and generate shared forms of feeling, to excite and animate readers’ bodies, or to imagine alternatives the very economic and political structures that fuel the global fashion system.

Via fashion, modernism becomes of the moment once again.

That is because modernist treatments of fashion intersect with contemporary work in literary and cultural studies that investigates the nature and force of collective emotions, the power of supposedly inanimate objects, as well as the way that beauty and style might fuel various political projects. Virginia Woolf’s treatment of fashion as a shared mood, for example, provides contemporary scholars of affect with ways to describe how seemingly personal feelings emerge with and through specific material, historical, and social conditions. In her anti-war essay Three Guineas, Woolf also provides a timely critique of the ways that seemingly liberal states disavow their fascist, imperialist underpinnings in part by celebrating uniforms—and, we might add, suits—as rational, utilitarian garments that supposedly transcend the vagaries of fashion.

As this example suggests, modernists treatment of fashion help us to reconsider facile distinctions between what is lasting and what is a passing phenomenon.

Given the on-going public disinvestment in higher education, demands that humanities research justify itself in market terms, and the virtual collapse of the “job market” in literary studies, it can seem urgent to champion what is unfashionable. But such a stance usually relies upon caricatures of literature, literary study, and of fashion. Instead, taking fashion seriously can help us to grapple with what it means to do work in the humanities right now.

modernism a la mode


 

About the author of this blog post: Elizabeth Sheehan is Assistant Professor of English and Women, Gender, and Sexuality Studies at Oregon State University. She is the author of Modernism à la Mode: Fashion and the Ends of Literature and co-editor of Cultures of Femininity in Modern Fashion, and will be attending The Modernist Studies Association Conference “Graphic Modernisms” in Columbus, Ohio, this November 8-11, 2018.

Fashion Cycles